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Maggie Gyllenhaal's The Bride! falls apart | Review by Boris Jancic in Screens

Set in 1930s Chicago, the film reimagines the classic with a feminist lens, featuring a resurrected woman sparking a nationwide feminist uprising during a crime spree.

  • On Friday, writer-director Maggie Gyllenhaal's The Bride opens in cinemas as a mid-1930s-set feminist reimagining of the 1935 Universal film The Bride of Frankenstein.
  • Passed between studios during 2023–early 2024, the project reportedly faced disagreements over budget and creative direction, with Maggie Gyllenhaal developing the film during that period.
  • In Chicago, Ida is killed, buried, dug up, and reanimated by Frank with makeup taking around 90 minutes and prosthetics up to six hours.
  • Despite craft highlights, reviewers say the film's elements don't cohere, praising Jessie Buckley and Christian Bale's chemistry and Sandy Powell's first-class costumes.
  • The Bonnie-and-Clyde-style road plot positions the movie as a genre-mash exploring feminism, with Ida and Frank's spree sparking a nationwide feminist uprising and including riot grrrl culture plus the on-screen 'Me Too' chant.
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Jessie Buckley, about to win the Oscar for ‘Hamnet’, joins Christian Bale as a monstrous couple in this risky update of ‘Frankenstein’s Bride’

·Spain
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El Periódico broke the news in Barcelona, Spain on Thursday, March 5, 2026.
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