In the pantheon of Japanese animation, there are those who draw movement, and then there is Hirotoshi Sano—a man who draws weight. To watch a Sano-directed sequence is to feel the groan of hydraulic fluid, the scorching heat of a thruster, and the violent friction of metal against metal. Starting June 27th, the Tagawa Art Museum in Fukuoka serves as a cathedral to this mechanical gospel, hosting a definitive retrospective of Sano’s storied caree…
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