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‘Io Capitano’ Review: Matteo Garrone’s Stunning Film Puts a Human Face on the Migrant Crisis

Summary by IndieWire
Like Africa’s “first” film “La Noir De…” (AKA “Black Girl”) (1966), “Io Capitano” begins in Dakar, Senegal. And just as in Ousmane Sembene’s masterpiece, the promise of Europe tempts a young protagonist away from its vibrant streets and warm community to be degraded, dehumanized, and abused. While “La Noir De…” saw a young woman arrive in Antibes, only to find life there a brutal and cruel nightmare that she cannot bear, Io Capitano follows 16-y…
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