US EditionHow to avoid double tone mapping in virtual production
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How to avoid double tone mapping in virtual production
Matching the color appearances of the background and foreground in virtual production can pose challenges for the camera department and the staff running the LED volume. Besides more common concerns like getting the white balance right and dealing with calibration issues, there is also a less obvious but equally important factor tied to color management: In order to match contrast and colors between the LED wall and the real-world objects in fro…
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