The first thirty minutes or so of Fuze is one of the most nerve-wracking, suspenseful, and, dare I say, smart opening acts of a robbery-heist thriller that I have seen in quite some time. That’s what happens when you put the director of the Academy Award-winning Hell or High Water and the writer of the well-received Inside in charge of a genre picture. Then, of course, for some head-scratching reason, the makers of Fuze double down on exposition…
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