The cinema did not invent Dracula but sealed the immortality already enjoyed in Bram Stoker’s novel. The prince of the night emerging from the Irish writer’s imagination has been portrayed in celluloid in multiple ways: atrocious monster, seductive, tragic victim, or even symbol of racial claim.
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The cinema did not invent Dracula but sealed the immortality already enjoyed in Bram Stoker’s novel. The prince of the night emerging from the Irish writer’s imagination has been portrayed in celluloid in multiple ways: atrocious monster, seductive, tragic victim, or even symbol of racial claim.