Detroit production of Mozart opera turns its female characters into automatons
- The Detroit production of the opera features Don Alfonso as the head of an AI company called SoulSync, reflecting themes of technology and humanity.
- Director Yuval Sharon emphasizes that the women in the story evolve from being mechanical to more human, reflecting emotional development.
- Thomas Lehman believes the production successfully empowers female characters and provides a balanced perspective.
- Emily Fons sees the adaptation as part of a broader movement to innovate traditional pieces and enhance female representation.
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Detroit production of Mozart opera turns its female characters into automatons
Audiences at the Detroit Opera House expecting their performance of “Cosi fan tutte” to begin with the overture may be surprised to hear instead a product launch from a tech company CEO.
·United States
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