Criticism of 'the Maid': a Catfight with a Surprise Ending and 1/2

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We have seen it a thousand times in those telefilms hidden in the early morning programming, when insomnia forces us to digest domestic violence, jealousy, psychopathy between cribs and stoves, as insignious elements of a genre that had its golden age in the nineties, in thrillers as disemboweled as “The hand rocking the crib” or “Single White Woman Seeks”. In this sense, the adaptation of the best-seller of Freida McFadden collects the remains …