US Edition'Contact Lens' Review: An Underwhelming Tribute to 'Jeanne Dielman'
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'Contact Lens' Review: An Underwhelming Tribute to 'Jeanne Dielman'
Given that it was relatively underseen and under-discussed outside of France until the late ‘00s, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles rose to the top of the cinephile canon with remarkable speed. You don’t have to have seen Chantal Akerman’s simmering slow-cinema ode to feminine rage—recently deemed the best film of all time by Sight & Sound, as close to an official designation as film criticism gets—to follow the plot of Chine…
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