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Bad Bunny, a Great Musician or ‘only’ a Cultural and Political Phenomenon?
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We still have a fresh image of Bad Bunny in the Superbowl last February, filling a Californian stadium with his tropical plantation and grandfather’s house, with jíbaros touched by pava hats, reggaeton, folklore passed by the ‘urban’, perreo and songs in Castilian. A festive and untapped blow in the heart of Trump’s America, in a time of fury, from which a ‘Male Rabbit’ erected as a hero, not for Puerto Ricans, but for the global Latino communit…
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