By Ganesh Saili ‘Lights?’
‘Sound rolling? ‘Camera? ’
‘ACTION’ We have not strayed onto a film set. It is a very old hotel, where the room boys, waiters, cooks and bellboys are cleaning out the rooms, calling to each other in the manner of the Director, Honey Irani. She had long since gone, having wrapped up the shooting of Armaan with the Big B the week before. In her wake, she has left behind a legacy stuck like the hill mist that lingers on. H…
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