US EditionWho’s Afraid of Identity?
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Who’s Afraid of Identity?
An artworld that remains a paragon of exclusivity while symbolically committing to the excluded cannot maintain such a contradiction for long Anne Imhof’s vandalised 2024 ‘Wish You Were Gay’ billboard, Bregenz. Photo: Instagram @anne_imhof In the post-Trump world and the febrile atmosphere of the culture wars, even mild criticisms of the artworld’s cherished orthodoxies and consensus values are met with outrage. In the December 2024 issue of Har…
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