'The Loved One' (), What We Talk About when We Talk About Love, and Other Premieres of the Week
6 Articles
6 Articles
Colossal Javier Bardem and Victoria Luengo become father and daughter to star in the latest and stimulating work of the Madrid filmmaker
Critics of 'La Vanguardia' also analyze 'Tadeo Jones and the Wonderful Lamp', 'The Constellation of the Dog', 'Last night I conquered Thebes', 'One Night a Year', 'Erupcja' and 'The Survivor'
There are several things very valuable to me in this drama. One is Sorogoyen’s ability to keep me abstracted throughout the footage.
The director signs his best film with a look at the toxic masculinity that shows a film shoot as rarely has been done by the cinemaRidley Scott: “Criticism crucified me for ‘Blade Runner’ and that taught me not to read what the press says about me” “This is a film about two people who don’t look into their eyes.” Javier Bardem says at the beginning of The Beloved One, in a very tenacious scene of almost 20 minutes that precedes the title of the …
A camera doesn’t judge. And it doesn’t set limits either. But it can become an uncomfortable tool when the one behind confuses directing with command. That border runs through The Beloved One, the film that Rodrigo Sorogoyen premieres this Wednesday and with which Javier Bardem returns to Spanish cinema. He plays Esteban Martínez, a director of international fame who returns to the country and offers a role to Emilia, his daughter, whom he hasn’…
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