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Theater Economics Need to Change. But How?
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Theater Economics Need to Change. But How?
It’s Monday, late August, around 7:30 p.m. at Artistry, Bloomington’s performing and visual arts center. An after-work energy hangs in the air. On the proscenium stage is New York City—the brownstone world of In the Heights, showing through the month. Except, tonight, there’s not just one scrappy protagonist, and no opening scene with Lin-Manuel Miranda
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