Hazel Byers and Alex Da Corte at the Paris Review: Well, in 2017, I stumbled across a photograph of someone painting the backside of Mariah Carey for the album cover, and was reminded there is some kind of invisible labor at play in all photographs we see. The video was born of that photograph. There is someone who had to light what you’re looking at. There is someone who took the photograph. In 2018, I made a film for the Carnegie International…
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