Why? Why, I wondered, did Yoko Ono’s five-minute, one-word 1970 rant “Why” pop into my head as I sat watching the brand-new “opera” called Suddenly Last Summer? The answer was quickly clear: like Ono in that song, my mind kept screaming “Why?” as I viewed, with increasing puzzlement and annoyance, the much-touted show I’d trekked a hundred miles to see. Tennessee Williams’s lushly poetic one-acter of 1958 is best known in its sanitized, expanded…
This story is only covered by news sources that have yet to be evaluated by the independent media monitoring agencies we use to assess the quality and reliability of news outlets on our platform. Learn more here.