For Cambodian filmmaker Rithy Panh, the documentary does not just record the real, but reconstructs it, questions it and confronts it with fiction to bring out what has been erased. How to film a genocide when the images are missing and the archives have been destroyed?
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For Cambodian filmmaker Rithy Panh, the documentary does not just record the real, but reconstructs it, questions it and confronts it with fiction to bring out what has been erased. How to film a genocide when the images are missing and the archives have been destroyed?