South Africa's giant playwright Athol Fugard, whose searing works challenged apartheid, dies aged 92

Athol Fugard, trenchant South African playwright, dies at 92

Athol Fugard, an acclaimed South African playwright whose works explored the brutality of his country’s apartheid regime, using anger and empathy to protest the dehumanizing effects of racial segregation, died March 8 at his home in Stellenbosch, near Cape Town.…

South Africa's giant playwright Athol Fugard, whose searing works challenged apartheid, dies at 92

Athol Fugard, South Africa's foremost dramatist who explored the pervasiveness of apartheid in such searing works as "The Blood Knot" and "’Master Harold’... and the Boys" to show how the racist system distorted the humanity of his country with what he called “a daily tally of injustice,” has died. He…

Appreciation: Playwright Athol Fugard proved the pen could be mightier than the sword

An appreciation of South African playwright Athol Fugard, whose plays that bore witness to the cruelty of apartheid, including 'Blood Knot,' 'Boesman and Lena,' 'A Lesson From Aloes' and 'My Children! My Africa!'

Athol Fugard, South Africa’s Giant Playwright, Dies at 92

Athol Fugard, South Africa's foremost dramatist who explored the pervasiveness of apartheid in searing works The Blood Knot and 'Master Harold’.

Athol Fugard Dies: South African Playwright & ‘Tsotsi’ Writer Was 92

Athol Fugard, the Blood Knot, Master Harold… and the Boys and Tsotsi writer who is widely regarded as South Africa’s greatest ever playwright, has died. He was 92. According to AP, the South African government has confirmed Fugard’s death and said South Africa “has lost one of its greatest literary and theatrical icons, whose work […]

Athol Fugard: the great South African playwright who captured what it means to be human

I was shocked to learn that the famous South African writer Athol Fugard had passed away. I had known his age to be 92 but somehow I never expected him to die. He was always a survivor. When I think about Fugard, the first thing that comes to mind is the first time I interviewed him in Port Elizabeth (today’s Gqeberha) in South Africa. It was for the first of three books I’ve written on his plays. I had just seen his play Boesman and Lena in Lon…