Netflix suspends the premiere of ‘Angi: crime and lies’, the documentary about the murder of Ana María Páez – Pledge Times
- Netflix suspended the premiere of the documentary series 'Angi: crime and lies' scheduled for May 1, 2025, in Spain.
- The suspension followed a court order after María Ángeles Molina, convicted of murdering Ana María Páez, filed a request in Tarragona courts.
- Netflix canceled two planned episodes, removed the series from its catalog, and set previous trailers to private due to unauthorized use of personal images.
- The miniseries focused on the 2008 murder of Ana Páez, called 'the almost perfect crime', and explored connections with Angi's husband, businessman Juan Antonio Álvarez Litben.
- This suspension highlights legal challenges streaming platforms face when presenting true crime content involving sensitive personal footage without consent.
15 Articles
15 Articles
The streaming platform Netflix stopped the premiere planned for this Thursday of the documentary series Angi: crime and lie, after the order of a Spanish court to suspend its broadcast, confirmed to EFE sources of the platform. It is a series of two episodes directed by Carlos Aguló, based on real events, and produced by Brutal Media. It is the product of a two-year investigation into two events distanced in time: the unexpected death in 1996 of…
The protagonist of the documentary denounced the platform so that it did not show the images.Angi: Crime and Lie was going to arrive on Thursday at the "N".
The "true crime" docuserie was to be released this Thursday on the platform
The platform has removed any reference to the two-chapter docuserie after Ana Paez's killer sued the platform. More information: The 'Adolescence' drama plans on Nantes: a 15-year-old boy stabbing a 13-year-old companion.
Netflix has paralysed the premiere scheduled for this Thursday May 1 of the two-chapter mini-series 'Angi: Crime and Lie' following the order of a court of its own...
The taste for the genre of true crime is beyond doubt and there are the audience figures to corroborate it. Although at the same time the debate arises as to whether its protagonists should give both their consent to the production being made and to receive compensation for it.
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