Manolo García Y Quimi Portet: the Atomic Chemistry of Rock’n’roll, Poetry and Derangement From Which El Último De La Fila Was Born

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Factuality

Ownership

For three decades they have worked on their own, alone, and have become visible sensitivities and roles that were previously compacted in group dynamics. We have Manolo García, the son of the migratory flood grown in the Somorrostro, imbued with flamenco singing, a poet captivated by dreamy horizons, and Quimi Portet, the ‘intercomarcal astre’, an untimely guitarist and tribal fan, carrying an antiheroic irony fed on the Plana de Vic. The first,…