US Edition“He came in, and just on the first take, I was like, ‘Oh my God. I didn't know that a person playing eighth notes could do that much”: How Pino Palladino transformed the simple bassline in Miley Cyrus’s End of the World into something "so much better"
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“He came in, and just on the first take, I was like, ‘Oh my God. I didn't know that a person playing eighth notes could do that much”: How Pino Palladino transformed the simple bassline in Miley Cyrus’s End of the World into something "so much better"
"I just thought it would sound the same, but my God," says awestruck producer Shawn Everett
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