Alban Gerhardt, finished the Concerto for cello, op. 85 of Elgar, offered us a single bis «to compensate for the short duration of the concert», in textual words. To this end he went to one of the six preludes of Bach that serve as opening for each of his Six suites for cello alone, which, look where, ... Continue reading "Enormous exhibition of Alban Gerhardt in Pollença, with the firm leadership of Patrick Hahn"
Alban Gerhardt, finished the Concerto for cello, op. 85 of Elgar, offered us a single bis «to compensate for the short duration of the concert», in textual words. To this end he went to one of the six preludes of Bach that serve as opening for each of his Six suites for cello alone, which, look where, ... Continue reading "Enormous exhibition of Alban Gerhardt in Pollença, with the firm leadership of Patrick Hahn"