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A Tracey Emin Retrospective Asks If We Expect Too Much from Women Artists
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A Tracey Emin Retrospective Asks If We Expect Too Much from Women Artists
“I’m starting to think I am a really boring artist,” admits Tracey Emin in the catalog accompanying her retrospective at the Tate Modern. It’s quite the reflection from a woman who made her name on shock value. Her 1998 self-portrait-cum-performance-cum-sculpture My Bed—her actual, slept-in bed covered in the detritus of her life—shook the art world with its confronting vulnerability and unspoken violence. Now, Emin’s works are no longer made of…
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