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A Brilliant, Entertaining Merging of Two One-Act Comedies for the Donizetti Opera Festival – Opera Today
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A Brilliant, Entertaining Merging of Two One-Act Comedies for the Donizetti Opera Festival – Opera Today
The two one act comic operas in this double bill were written as entirely separate works, in 1836 and 1841 respectively. But Stefania Bonfadelli pairs them brilliantly as two sides of the same matrimonial coin, and looking particularly at the man’s lot within the relevant spousal relationships. The present wave of feminist thinking has rightly yielded the opportunity to appraise the patriarchal assumptions of much of the operatic repertory. It’s…
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