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Joaquin PhoenixIn every one of his films, writer/director Ari Aster has unpacked a trauma, usually his own. In the folk horror film “Midsommar,” it was relationships, while in “Hereditary,” “Beau Is Afraid,” and his short film, “The Strange Thing About the Johnsons,” he dove into family trauma to horrifying and absurdly comic ends. In his new film, “Eddington,” Aster tackles a collective American trauma using the most American of genres, the Western. That he t…See the Story
Movie Review: Ari Aster Grapples with Recent Past in ‘Eddington’
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