How Aristotle Helps Us Unpack the Art of Deception in Nathan Fielder’s ‘You Can See Everything’
9 Articles
9 Articles
How Aristotle helps us unpack the art of deception in Nathan Fielder’s ‘You Can See Everything’
A compelling imitation, Aristotle argues, is delightful because we love to learn, and imitation teaches us. Is this why droves of people are going to cinemas to watch an almost three hour-long documentary?
New Elizabeth Holmes Doc Shows Why Jury Trials Outperform Films in the Search for Truth
The buzzy new documentary You Can See Everything gives the founder of Theranos a platform to repeat her claims of innocence, but cameras are no substitute for cross-examinations. This column makes the case why the rigorous mechanics of a courtroom beat storytelling on film in the search for truth.
‘You Can See Everything’ had me questioning Elizabeth — and myself
Elizabeth would like to clear her name, and somehow, I almost helped her. You Can See Everything, directed by Nathan Fielder and Lance Oppenheim, follows the former Theranos founder in the weeks before she begins an 11-year prison sentence for fraud. Her blood-testing company had promised to revolutionize health care, but its collapse led to...
It seemed like we already knew everything there was to know about the rise and fall of the young founder, the lies surrounding blood testing technology, and the deception of investors. Then You Can See Everything came out – and it turned out that the story might not be what it seems.
In You Can See Everything, Nathan Fielder and Lance Oppenheim shoot Elizabeth Holmes before prison. A dizzying investigation into the image, confidence and power to tell her own story, in theatres on December 30.
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