Ryan Murphy's "The Shards" looks like a sinfully expensive high-society series: beautiful people, dream cars, palm trees, designer clothes and a great soundtrack. Only the most important thing is missing: a story that interests you.
Bret Easton Ellis wrote "Under zero and "American Psycho" – now he returns in the series "The Shards" to his terribly beautiful eighties. That has something. But that also has a problem.