The Korgis and Stackridge occupy opposite ends of the same James Warren and Andy Davis continuum: one a compact pop mechanism built for radio, the other a West Country laboratory where prog, music hall, folk melody and English absurdism were allowed to collide. Before The Korgis reached the charts, Stackridge had already become one of the stranger propositions in British rock. Formed around the Bristol and Bath orbit, they opened the first Glast…
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