Movie Review: In 'Fatherland,' Paweł Pawlikowski's Austere Portrait of a Fractured Germany
The drama uses a father-daughter trip to examine postwar Germany’s divisions and family strain, with Thomas Mann returning after 16 years in exile.
7 Articles
7 Articles
Pawel Pawlikowski’s Historical Stunner ‘Fatherland’ Is About Far More Than Thomas Mann — It’s About Today’s Own Fissures
[Editor’s note: This interview was originally published during the 2026 Cannes Film Festival. MUBI opens “Fatherland” in select theaters starting Friday, October 23.] Pawel Pawlikowski’s seventh feature “Fatherland” came into the Cannes Competition with high expectations, and judging from audience and critical reaction, it should win a prize or two. Sandra Hüller is a frontrunner for Best Actress, having just won that award in Berlin for “Rose.”…
The new film by Pawel Pawlikowski arrives at the cinema and closes an ideal trilogy on time and guilt. The Polish director still amazes and makes accessible an author cinema otherwise too difficult to digest.
Fatherland Review: Paweł Pawlikowski Finds a Heady, Aching Register
Note: This review was originally published as part of our 2026 Cannes coverage. The film opens in theaters on October 23. Thomas Mann, Nobel Prize-winning writer and voice of the German resistance from abroad, fled Germany in 1933 to take refuge in California, where he lived for sixteen years before returning to Germany in 1949 […] The post Fatherland Review: Paweł Pawlikowski Finds a Heady, Aching Register first appeared on The Film Stage.
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