An original Colmarian, André Burkhart is a member of the Schongauer society and passionate about the Issenheim Retable, the centrepiece of the Unterlinden museum. After years of analysis, he holds a potentially revealing hypothesis: would the sponsor of the Grünewald work have put a discreet criticism of the church among the images of devotion?
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An original Colmarian, André Burkhart is a member of the Schongauer society and passionate about the Issenheim Retable, the centrepiece of the Unterlinden museum. After years of analysis, he holds a potentially revealing hypothesis: would the sponsor of the Grünewald work have put a discreet criticism of the church among the images of devotion?