‘28 Years Later: The Bone Temple’ review: A bit stuck in the middle
- Last year the sequel 28 Years Later: The Bone Temple was shot back-to-back and picks up immediately where the previous film ended, directed by Nia DaCosta and scripted by Alex Garland, starring Ralph Fiennes as Dr. Ian Kelson with Jack O'Connell as Sir Lord Jimmy Crystal.
- Instead of the infected, the film focuses on uninfected survivors who lost their moral compass, centering on Jack O'Connell's Sir Lord Jimmy Crystal leading a cult claiming to serve `Old Nick`.
- Kelson's experiments yield a surprising breakthrough tied to Samson's changed behavior, mixing Radiohead-inflected art-rock, heavy-metal, and Hildur Guðnadóttir's powerful score.
- The narrative strands converge in a violent third act, delivering ritual sacrifice that satisfies horror audiences and segues to a coda where a major earlier franchise figure resurfaces.
- Shifting into folk-horror, the film risks alienating some but rewards others as it stages a clash between Kelson's rational science and pagan fanaticism, reshaping the franchise trajectory.
81 Articles
81 Articles
'28 Years Later: The Bone Temple' Review: Ralph Fiennes brings levity to experimental zombie saga
Ralph Fiennes brings humor and levity to Sony Pictures' experimental zombie saga in "28 Years Late: The Bone Temple." Directed by Nia DaCosta. Produced by Danny Boyle.
‘28 Years Later: The Bone Temple’ delivers anarchy in the U.K., again
28 Years Later: The Bone Temple is a movie about the devil, who just happens to be a guy named Jimmy. A direct follow-up to last year's 28 Years Later, this zombie sequel picks up where the last one left off, with a young boy named Spike having encountered a clan of blonde-haired track-suit-wearing psychos, all of whom go by the name of Jimmy. The Jimmys take their name from their leader, a scraggle-toothed Brit played by Jack O'Connell, who we…
'28 Years Later: The Bone Temple' is bonkers, triumphant
You know what zombie movies never seem to have enough of? Dancing. They've got gore and screaming and lots of guttural snarling, but no boogie. That all changes with "28 Years Later: The Bone Temple" and the dancing here is…
<em>28 Years Later</em>: Red Devil
It takes a mighty special filmmaker to reboot the Candyman series and then turn around and do a Black gay update of Henrik Ibsen. Nia DaCosta is that director, and I’ve referenced her Hedda several times in my year-end film coverage for 2025. Contemporary horror and classical theater — how’s that for range? (And not for nothing, I liked what she did with The Marvels better than most of my colleagues did.) When I heard last summer that she was ta…
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