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“The Silence of the Passengers Struck Me More than the Broken Trains”
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The first image that was recorded to Yolanda Lancha was not that of the trains turned into iron kneads. Neither was that of the emergency teams working among the remains of the convoys, but it was the lost look of the passengers arriving at the pavilion of Urda. “I was very impressed that we entered and it was chaotic, silent,” he recalls. “They had the look completely lost.”
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