Box Office: ‘End of Oak Street’ Makes $2.5 Million in Previews
The Anne Hathaway and Ewan McGregor-led dinosaur thriller is projected to open with $25 million from 3,800 North American cinemas, analysts said.
- Director David Robert Mitchell's dinosaur thriller The End Of Oak Street opens in 3,800 North American cinemas, starring Anne Hathaway and Ewan McGregor as parents confronting suburban anxiety in a prehistoric crisis.
- A mysterious flash transports the 1982 community of Denise Platt and Greg to a prehistoric age, where strange "usual ripples in space" and rowdy dinosaurs emerge, threatening their seemingly perfect nuclear family.
- Mitchell channels an old-school Amblin adventure vibe, blending horror with humor through immaculately designed CGI beasties and what Dr. Ian Malcolm would call "one big pile of shit" in this action-packed thriller.
- Analysts project a $25 million opening, though the film remains unlikely to challenge Spider-Man: Brand New Day's dominance as the Marvel title continues its strong run into its fifth weekend.
- Hathaway caps a prolific 2026 that included navigating corporate threats in The Devil Wears Prada 2 and defending a throne in The Odyssey, cementing her dominance across multiple genres this year.
15 Articles
15 Articles
Box Office: ‘End of Oak Street’ Makes $2.5 Million in Previews
Dinosaur fans are in luck because two prehistoric films, “The End of Oak Street” and “Paw Patrol: The Dino Movie,” are hitting theaters this weekend, but they’ll be no match for reigning box office champion “Spider-Man: Brand New Day.” Warner Bros.’ “The End of Oak Street,” starring Anne Hathaway and Ewan McGregor as suburbanites magically […]
The End of Oak Street Review: Cretaceous Chaos in the Cul-de-Sac
Cinema is currently in the middle of a major renaissance for classic creature features, high-concept sci-fi, and – with the PG-13 rating to boot – crowd-pleasing spectacle. Between the enduring dominance of the Jurassic franchise and Steven Spielberg stepping back into the director’s chair with Disclosure Day, Hollywood’s obsession with primal fear and Amblin-style wonder is stronger than ever. It also helps that indie hits outside the studio sy…
The End of Oak Street, a new film by American director and screenwriter David Robert Mitchell, seems to be a kind of perverse variation on Jurassic Park. The extinct creatures in it are not the admirable phenomenon they once were, but a threat to the inhabitants of a quiet suburb. The outwardly bizarre but ultimately conformist film, which hits theaters on Thursday, falls apart before you can say dinosaur.
REVIEW. Anne Hathaway carries most of the Spielberg-inspired dinosaur adventure "The End of Oak Street."
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