‘Obsession’ Director Curry Barker Wants to Collaborate with Nathan Fielder and Has Already Pitched a Project Together
Curry Barker says he has already floated a collaboration idea after praising Nathan Fielder’s film, as both projects gain awards-season attention.
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‘Obsession’ Director Curry Barker Has Already Approached Nathan Fielder About Collaborating: “I Put It Out In The Water”
Following the unexpected success of his Elizabeth Holmes documentary, “You Can See Everything,” everyone wants a piece of Nathan Fielder right now. The filmmaker has become one of Hollywood’s most intriguing creative figures, with seemingly everyone eager to see what he does next. And apparently, “Obsession” director Curry Barker is among them. In fact, he’s so interested in working with Fielder that he’s already reached out about a potential co…
Of course Curry Barker has already asked Nathan Fielder if he wants to team up
Reminding us all that “mash-up culture” can fester in the brains of celebrated creators just as easily as it can in the fevered collective imagination of the internet, Curry Barker revealed today that he’s reached out to fellow “Unlikely Cinematic Hitmaker, 2026 Division” member Nathan Fielder about a potential collaboration. This is per Variety, whose reporters, we have to assume, were not expecting such an immediate affirmative from Barker whe…
‘Obsession’ Director Curry Barker Pitched Nathan Fielder a Collaboration After Watching ‘You Can See Everything’: ‘I Put It Out in the Water’
Curry Barker says he's pitched a collaboration to Nathan Fielder after watching 'You Can See Everything' in theaters.
Obsession Director Curry Barker Pitched Nathan Fielder on Working Together After His Elizabeth Holmes Documentary
Curry Barker wanted to work with Nathan Fielder enough to ask him directly. After watching Fielder’s Elizabeth Holmes documentary, You Can See Everything, the Obsession director floated a collaboration. “I just put it out in the water,” Barker said. Speaking at the Time100 Next Gala on Oct. 29, Barker said he’d gone into the film […]
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