Pasolini and the Birth of Accattone: Fellini's No, Moravia's Deafness, Quadraro's "Azteci" Faces and the Feverish Scenes Shot with Bertolucci

freitag.de

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He was hated and idolized. Pier Paolo Pasolini was the horror of Italian petty-bourgeois with his films. Georg Seeßlen is reminiscent of the legendary director and artist who was murdered 50 years ago Awie AccattoneIn 1961, Pier Paolo Pasolini took over the legacy of Italian neorealism – and shattered it. With the story of the small pimp from the Roman suburbs, which comes as directly from real life as Franco Citti and the others, who represent …

Quotidiano Nazionale

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Here is the first article of Pier Paolo Pasolini's long collaboration with Il Giorno. Fifty years after the crime, the story of a film that inaugurated the link between the poet and the Milanese newspaper